almond bread
“Llena de pasión siguió, llena de ilusión vivió, con el mar azul”
— Cuatro Hijas, Pacifika
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talesofthestarshipregeneration:

lakilester:

No one get’s lynched for exfoliating is the greatest come back I’ve ever witnessed.

DED

tashabilities:

She whipped out the jammy and flat blasted ALL them hoes

apocalypsecanceled:

TODAY’S SPECIAL (2009)

mimicryisnotmastery:

I said, “The only way I can play someone this hard is for something to be peeled away each week, and the first thing that needs to go is the wig.” I just wanted to deal with her hair. It’s a big thing with African-American women…You start when you’re just a young girl. Do you twist it? Do you leave it natural when it’s so hard to take care of? Then you start wearing wigs but every night before bed you’ve got to take the wig off and deal with your hair underneath. And it’s a part of Annalise that I needed the writers to deal with because I’ve never seen it, ever, on TV and I thought it would be very powerful. It’s part of her mask. - Viola Davis (x)

bless her

http://talesofthestarshipregeneration.tumblr.com/post/100405531943/fadedgeneration-i-will-not-be-returning-to

fadedgeneration:

I will not be returning to Ferguson

abbyjean:

I had been on the ground helping Al Jazeera America cover the protests and unrest in Ferguson, Mo., since this all started last week. After what I saw last night, I will not be returning. The behavior and number of…

artbooksnat:

Stunning background art from the Studio Ghibli film Princess Mononoke (もののけ姫) illustrated by the masterful Nizo Yamamoto (山本二三) and featured in his art book Nizo Yamamoto Background Illustrations (Amazon US | JP).

asylum-art:

Pierre-Elie de Pibrac: Backstage at L’Opéra de Paris

From September 2013 to July 2014, the photographer Pierre-Elie de Pibrac spent his days with the ballet company of the ‘Opéra National de Paris’, for an entire season, a historical and pivotal one, since it marked the departure of both Nicolas Le Riche  (star ballet dancer) and dance director Brigitte Lefèvre, who passed the reigns to Benjamin Millepied. During these major events, the photographer was able to blend into the background, emerging with three series of photographs.

This abstract pictorial series, Catharsis, is the product of research into the “translation” of the energy of the dancers and its diffusion into the surrounding space. The power that characterizes the ballet is given to the viewer in a new and transcendental form.

The exhibition will be on display at the Galerie Clémentine de la Féronnière through November 23rd, 2014.

EXHIBITION
In situ - Dans les coulisses de l’Opéra de Paris
Photographs by Pierre-Elie de Pibrac
October 10th - November 23rd 2014
Galerie Clémentine de la Féronnière